A fast-paced novel with sexual and political intrigue that underscores the pain of growing up in a dysfunctional society ruled by a military dictatorship.
(Text in back cover)
Audacious, provocative, iconoclastic, with elements of the carnavalesque, the erotic, irreverence toward the institutions that have governed and continue to govern Guatemalan society, With Every Drop of Blood from the Wound breaks with the traditional concepts of the Latin American novel and magical realism to challenge the reader to grapple with fragmented chronology and intersecting textuality in the discordant and inverted world of Gerona, a semiurban neighborhood in which Corleto projects a violent and often strange picture that serves as a microcosm of the corruption, failures, and evils of his country. His portrayal of sex, at times crude and violent, is not gratuitous, but rather serves to make a point: that in the end the only enduring and worthwhile value is love, love raised to its highest sense: the human need for each other, the need of family, of belonging, the need of warmth.
The story is set during the second half of the twentieth century, in the late 40s and early 50s, with reference to the dictatorship of General Ubico (1931-44), and unfolds in the real life barrio of Gerona, located near a railroad yard where the two protagonistsGabriel and Willycarry out their adolescent games in the abandoned railway cars, including their first sexual encounters, thanks to the very willing and precocious González sisters. Later the two boys finally go their separate ways, but years later are reunited when they are grown men, when their boyhood illusions and dreams have faded, and they are resigned to facing the hard reality of their individual failures. Still the human being survives despite his lack of ideals.
From this perspective, With Every Drop of Blood from the Wound-the words from a song at the end of the book that Corleto wrote to underscore the pain of lost dreams and the plaintive cry of a people ruled by the iron fist of repressive rulers-paradoxically is, when all is said and done, an affirmation of life, hope, and love, the values Corleto holds most dear.
Former professor of Spanish and Latin American Literatures at Gallaudet University, Washington, D. C., (1968-2001), published translator of Latin American fiction with Curbstone Press.
Studied in Spain and Mexico, travels and conferences throughout Central America (1994-1999), with month-long stays in El Salvador (1996-1997) for research and writing.
Memberships: PEN AMERICA, ALTA (American Literary Translators Association), ATA (American TRanslators Association), WIW (Washington Independent Writers).
Published Translations of Latin American Fiction: A place called Milagro de la Paz. Original in Spanish: Milagro de la Paz (1994), a novel by one of Central America's most important writers, Manlio Argueta of El Salvador. (Curbstone Press, 2000). The World in Excile (El Exilio de la Palabra) in PEN International's Anthology of Latin American Women in Translation: Conditional Liberty (Latin American PEN Foundation: La Luciérnaga Editores, Guadalajara, Mexico, 2000). Act One of a play in dialogue by Cristina Gutiérrez Richaud of Guadalajara, Mexico.
Children's Literature (EVEREST PUBLISHERS,La Coruña, Spain). TINKA (October 2000). THE JOURNEY OF LITTLE WIND (October 2000). THE CAT WHO WANTED TO FLY HIGH (March 2001).
Scheduled for publication January 2004 by Curbstone Press: Margarita, How Beautiful The Sea (Margarita, está linda la mar) by Sergio Ramírez (Nicaragua), co-winner of the 1998 Alfaguara International Prize for Literature (Spain).
Scheduled for publication March 2004 by Four Walls Eight Windows Press: AMALUR: FROM THE ATOM TO THE MIND by Juan Luis Arsuaga and Ignacio Martínez (Spain).